12/14/2023 0 Comments Editready software pc![]() However AVCHD is only 1080 resolution and normally 1080p is not that difficult but lack of Quick Sync due to using a Hackintosh could be an additional slowdown factor. Thus the on-chip GPU must normally be disabled in the BIOS which also disables Quick Sync.ĪVCHD is a form of H264 and without Quick Sync all encode/decode must be done in software. This is because Hackintoshes can normally not switch dynamically from the on-chip GPU (where Quick Sync is implemented) to the external GPU. (2) You are using a Hackintosh which usually do not have Quick Sync capability - regardless of CPU. The performance issue scales upward with library size so with small libraries it might not be noticed but with increasing size it rapidly becomes apparent. If all you have left are the bare MTS files I'd suggest re-wrapping them externally before import using EditReady: If you have already imported bare MTS files with "leave files in place" those must be removed and properly re-imported, otherwise it will always be slow, even if the MTS files are only a small % of the overall content. Usually performance is good when using that method, although it takes more space due to the file copy. When importing that way, it will not allow "leave files in place" but will copy and re-wrap (not transcode) those those files to the library. (1) If you are dealing with bare MTS files, IOW files which have been removed from the AVCHD package and imported with "leave files in place", that may cause severe performance problems due to how FCPX handles the I/O.ĪVCHD material should *always* be imported from the folder tree, in which case you normally don't see the bare. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.Can you work on projects with native AVCHD MTS files to create 1-hour videos without converting to pro-res?. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. ![]() Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. ![]() Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. ![]()
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